The Way of Kings

When I read Elantris during the summer of 2018, I was impressed, but The Way of Kings is next storming level.

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This one-thousand-seven page epic is just the first of a planned ten-novel series that already has at least one novella (Edgedancer, 2017) on bookstore shelves, virtual or otherwise, to sate voracious fans awaiting the fourth behemoth. I cannot imagine how author Brandon Sanderson plans to fill ten to eleven thousand pages, but I will say this. Despite the incredible length of The Way of Kings, I was not bored at any point. That is astounding. I have read some three-hundred page books that struggled to hold my attention throughout, but Brandon Sanderson managed to enthrall me from beginning to end. Every page was full of interesting details that exploded my imagination. Print copies are further enriched by beautiful chapter header artwork and full-page illustrations and maps. I spent several minutes perusing each of these, drinking in every detail.

Brandon Sanderson eschews the traditional fantasy races like dwarves, elves, and orcs in favor of a rich variety of human cultures with their own traditions and physical attributes. The only exception to that might be parshmen who are described as having human or human-like physiology but they have another quality that is certainly extraordinary. Sanderson teases details about these different cultures throughout the story and by the time I flipped to the last page of the novel, I had some understanding about a few of them but yearned for more. Sanderson offers little in the way of direct explanation, instead allowing me to explore and imagine on my own and when a new piece of information is provided, to chew and savor. The Way of Kings is one of those epic fantasy novels that delights in slowly dragging the reader deeper into its world. I loved every second of it and am in no hurry to escape it.

Living among the characters of Sanderson’s world are a diverse ecology of flora and fauna. Aside from horses, there are no recognizable animals in this world. Oh sure, one can recognize the earthbound inspirations for Sanderson’s creations, but the animals living on Roshar are strange and magnificent and I do not want to pet any of them. I was fascinated by the plant life and its sentience, reacting to outside stimuli, hiding like a timid animal and slowly reemerging when the coast is clear. Even the weather and the seasons have a strange, otherworldly quality to them. Such details were a warm blanket on a cold night and burrowed deeper.

Magic systems are important to epic fantasy fans. BookTubers produce entire episodes ranking their favorite magic systems and discussing in detail which are the best and which authors they think need to put a little more effort into the mystical actions their characters take. Personally, I do not think about it quite that much but I certainly do recognize and appreciate when an author has put extra effort into designing a system of magic that has rules and makes sense. Throughout his career, Brandon Sanderson has established a reputation for being one of those authors and in The Way of Kings, he introduces readers to characters with astounding abilities and then slowly sprinkles bread crumbs of information such that by the time the story is over, we understand the basic rules but still have so many questions. This is a great trick, especially when one intends to write nine more novels in the series. I expect to learn more about this Stormlight and how it can be harnessed in book two.

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As Brandon Sanderson himself stated in an article on Tor.com, “I do put a lot of effort into the magic in my books. But a great book for me isn’t about a magic, it’s about the people that the magic affects.” As such, the characters in The Way of Kings are probably real people you can meet provided Brandon brings them along to his book signings. When I read Elantris, I loved the main characters and was surprised when I was drawn in by the villain’s story and felt some measure of empathy for his plight. The Way of Kings is no different. There are heroes and there are villains, but all of them are interesting and breathe. I identified with Kaladin the most because I recognized in his actions what I had hoped to accomplish in my former career. I was not successful and so I rooted for him to succeed that much more. The scholar in me envies Shallan and I want nothing more than to spend a day with her in one of the Veil balcony alcoves, reading books and discussing philosophy. I grew up in a family of military men — we can trace our military roots back several generations and therefore have tremendous respect for our men and women in uniform — and thus I admire and fear for characters like Adolin and Dalinar, but am thrilled when they are on the page because their adventures are just so storming exciting! Szeth-son-son-Vallano, like Hrathen in Elantris, is one of those villains deserving of sympathy and about whom I want to know so much more.

Another aspect of this novel that inspired me is the philosophical discussions. Throughout the novel, characters debate topics such as theology and faith, ethics and morality, prejudice and classism. Sanderson does not do it in a superficial way either. He presents valid arguments on both sides of the discussion and a handful of times, I actually set the book down to ponder what was just stated. I love it when a fantasy novel — a genre not given much credit in literary circles — has something profound to say about the real world. That is really every author’s goal but I feel like fantasy authors are largely ignored in this respect. Hopefully, authors like Sanderson can break through.

I love this book so much. For the past couple of years, my New Year’s Resolution has involved a pledge to read a book that I have been putting off for one reason or another. I had heard incredible things about The Way of Kings and so purchased a copy several years ago, but since then, it has sat on my shelf. The sheer size and weight of it intimidated me. Until six months ago, I was working a job that did not afford me much leisure time and so reading a novel the size and depth of The Way of Kings did not seem possible. I left that job in December and so in January I decided that in 2020, I would finally read this behemoth that had put Brandon Sanderson at the top of the fantasy author pile. Thanks to a buddy read hosted by my friend Dean Ethington, I can finally check The Way of Kings off my list of shame, off my TBR, and off my #20BooksIn2020 list. More than all of that though, I have taken the first step into an amazing fantasy world and I am excited to continue that journey.

Elantris and the Tsundoku Condition

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I first heard Brandon Sanderson’s name when he was hired to complete Robert Jordan’s mammoth The Wheel of Time fantasy series after Mr. Jordan passed away in 2007 — gee, has it been 11 years already? The Wheel of Time was a favorite series of a few friends of mine, but I never tackled it and so I missed my first potential exposure to Sanderson’s talent. I then started seeing Sanderson’s name mentioned in discussion forums like Shelfari and Goodreads and hearing about him on bookcentric podcasts like Sword & Laser. Then some commentators I trust began shouting his name from the mountaintops after Sanderson’s The Way of Kings was released. I started doing something weird. I bought The Way of Kings, the first book of a series called The Stormlight Archive, but I was not able to read it yet. Then book two of The Stormlight Archive, Words of Radiance — what a beautiful title — was released and I bought that, still having not read The Way of Kings. Then the third title, Oathbreaker, hit store shelves and I exchanged my paycheck for it. Here is the truly bizarre aspect of this entire situation: I still have not read any of them. Is it not madness to buy the second and third volumes of a series when one has not yet read the first? There is a Japanese term for this practice of continuing to buy books but not reading them: 積ん読 or tsundoku. Here is an applicable quote attributed to American author Alfred Edward Newton:

Even when reading is impossible, the presence of books acquired produces such an ecstasy that the buying of more books than one can read is nothing less than the soul reaching towards infinity … we cherish books even if unread, their mere presence exudes comfort, their ready access reassurance.

Right? If you are reading this, you are probably an avid reader like me and nodded in agreement while reading that quote. Welcome, brethren. So here I was with this condition I now know is called tsundoku and a heap of unread Brandon Sanderson novels. Three beautiful hardcover volumes comprised of three thousand three hundred forty two pages. It is intimidating. Then a colleague gave me a copy of Elantris, Brandon Sanderson’s debut novel. Unlike much of Sanderson’s later work, Elantris is a single story encased in a single volume. Being the man’s debut novel, I decided this was the best place to begin exploring his work and so on a warm, midsummer night, I entered the gates of Elantris. Holy cow, smoke, and Toledo, y’all. I enjoyed this story so much!

When the beloved Prince Raoden of Arelon wakes up one morning to discover he has been afflicted with a magical disease, his father the king secretly exiles him to the nearby walled city of Elantris. Once a majestic and beautiful city inhabited by people with godlike powers, Elantris is now a festering prison populated by the rotting unfortunates slung low by the disease known as the Shaod. Raoden must now fight the debilitating effects of his disease as he attempts to investigate the cause of the fall of Elantris with the hope of restoring the city to its former glory and healing himself and the hundreds of others with his condition. The Shaod brings madness quickly though so Raoden has little time before he is lost forever. Outside the walls, Teoish princess Sarene arrives in the kingdom to discover the man she was to marry has mysteriously died. She suspects foul play and conspiracy and begins an investigation to discover what really happened to her betrothed. As she works, she allies herself with a group of nobles with designs to overthrow the corrupt king of Arelon and becomes embroiled in a dangerous political coup just as the external forces of neighboring Fjordell threaten to assault Arelon. High Priest Hrathen of Fjordell has seen what war does to a kingdom his nation means to subjugate and so has just ninety days to peacefully convert the people of Arelon to his nation’s religion before the powerful armies of Fjordell arrive to bring destruction and death to the unfaithful.

All three primary characters are so enjoyable that I found myself conflicted when a chapter switched perspective from one character to another. I wanted to remain with each of them and continue exploring their story and their world, but I was also excited to learn more about the other two characters. This inspired me to read deeply and quickly as I thirsted for more information about each character. Even Hrathen, who is supposed to be the villain, is so deserving of empathy that I found myself struggling to hate him even as he executed his plans to bring about the conquest of the kingdom of Arelon. Prince Raoden is exactly the kind of leader I wish to be: decisive, intelligent, earnest, clever, empathetic. I loved his chapters and rooted so strongly for him. Sarene is a wonderful character, a strong female protagonist in a patriarchal society, fighting for truth and for civil rights in a kingdom foreign to her.

If you enjoy fantasy novels that are not just all about sword fights, stories that include intrigue and clever magic systems, read Elantris. If you have not read a Brandon Sanderson novel yet, this one will make you a fan and is an excellent example of his talent as a storyteller. I have a lot of Sanderson still on my shelf and the tsundoku still rages, but reading Elantris is a positive first step toward controlling it. One page at a time.